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PRIVACY POLICY

 

 

  1. Introduction

 

  • We, DATEAGLE ART (with ‘we‘, ‘our‘ or ‘us‘ being interpreted accordingly) are committed to protecting your privacy and personal information. We operate our website www.dateagle.art (the “Site“). This policy applies to information held about all persons about whom DATEAGLE ART holds information.  By ‘information,’ we mean personal information about you that we collect, use, share and store.
  • This Privacy Policy statement explains our data processing practices. By using our website or by providing any personal information to DATEAGLE ART, you consent to the collection and use of your personal information as set out in this statement. This Privacy Policy also provides information on your legal rights in relation to your Personal Data.

 

Last Updated 24th May 2018

 

 

  1. Our legal obligations regarding your Personal Data

 

We collect and process your Personal Data in accordance with applicable laws that regulate data protection and privacy. This includes, without limitation, the EU General Data Protection Regulation (2016/679) (‘GDPR’) and the UK Data Protection Act 2018 (‘DPA’) together with other applicable UK and EU laws that regulate the collection, processing and privacy of your Personal Data (together, ‘Data Protection Law‘).

 

 

  1. What Personal Data do we collect and use?

 

3.1 We may collect and store the following types of information about you when you use the Site or by corresponding with us (for example, by e-mail). This includes information you provide when registering to use the Site or sharing any data via our social media functions. The Personal Data about you that we collect and use includes the following:

 

(a) Your name;

(b) Your contact information such as your address, email address, telephone number, billing address and delivery address (if applicable);

(c) If applicable, your payment details/ financial data;

(d) Information from accounts you link to us (e.g. Facebook, Twitter, Instagram);

(e) Information in relation to your purchase of our artworks or use of our services;

(f) Information about your personal preferences;

(g) Information related to your attendance of, and interest in, DATEAGLE ART’S exhibitions, events, artists, artworks, and services.

 

3.2 Please note that if you do not provide Personal Data when we ask for it, it may delay or prevent us from providing products or services to you.

 

 

  1. How your Personal Data is collected

 

4.1 We collect most of this Personal Data directly from you – in person, by email, telephone, post, through our social media, and via our website e.g. when you contact us with a query, make a purchase of any of our products or services, or ask that you are added to our mailing list. However we may also collect Personal Data from from articles or other information that has been published about you in the media.

 

 

  1. Information about third parties

 

5.1 Please ensure that any Personal Data you supply to us which relates to third party individuals is provided to us with their knowledge of our proposed use of their Personal Data.

 

 

  1. How and why we use your Personal Data

 

6.1 Under Data Protection Law, we can only use your Personal Data if we have a proper reason for doing so e.g.:

 

(a) To comply with our legal and regulatory obligations;

(b) For the performance of a contract between us or to take steps at your request before entering into a contract;

(c) For our legitimate interests or those of a third party (where we have a business or commercial reason to use your Personal Data, so long as this is not overridden by your own rights and interests, including ensuring the successful continuing our business operations, updating our client and contact records, improving our offerings, marketing our offerings and preventing fraud);

(d) Where you have given consent.

 

6.2 If we process sensitive data as referred to above we will only do this with your explicit consent; or, to protect your vital interests (or those of someone else) in an emergency; or, where you have already publicised such information; or, where we need to use such sensitive data in connection with a legal claim that we have or may be subject to.

 

6.3 We may use your Personal Data for one or more of the following purposes:

 

(a) To fulfil requests, including providing products or services to you;

(b) Maintaining business operations, including updating client and visitor records, identifying areas for operational improvement, such as improving efficiency, training and quality control, getting to know you and your preferences in order to provide you with a more tailored service;

(c) Marketing, including adding you to our mailing list and providing you with direct marketing communications about what we are doing as well as products, services and/or events which may be of interest to you by post or phone. If required under applicable law, where we contact you by SMS, email, fax, social media and/or any other electronic communication channels for direct marketing purposes, this will be subject to you providing your express consent. You can object or withdraw your consent to receiving direct marketing from us at any time, by contacting us at studio@dateagle.art;

(d) To enforce and/or defend any of our legal claims or rights;

(e) For any other purpose required by applicable law, regulation, the order of any court or regulatory authority.

 

 

  1. Disclosing your Personal Data to third parties

 

7.1 Except as expressly set out in this policy we will not sell, distribute or lease your personal information to third parties unless we have your permission or are required by law to do so. We will only share your Personal Data as set out in this section 7, including sharing with:

 

(a) Third parties we use to help deliver our products and services to you, e.g. payment service providers and delivery and shipping companies;

(c) Other third parties we use to help us run our business;

(d) Third parties approved by you, e.g. social media accounts you choose to link your account with us to.

 

7.2 We only allow our service providers to handle your Personal Data if we are satisfied they take appropriate measures to protect your Personal Data. We also impose contractual obligations on service providers to ensure they can only use your Personal Data to provide services to us and to you.

 

7.3 We may also share personal information with external auditors in relation to the audit of our accounts, and we may disclose and exchange information with law enforcement agencies and regulatory bodies without telling you to comply with our legal and regulatory obligations if we are required by law to do so.

 

7.4 We may also need to share some Personal Data with other parties, such as potential buyers of some or all of our business or during a re-structuring. Usually, information will be anonymised but this may not always be possible. The recipient of the information will be bound by confidentiality obligations.

 

7.5 We may also need to share some Personal Data with other business entities – should we plan to merge with or be acquired by that business entity, or if we undergo a re-organisation with that entity.

 

 

  1. Cookies and similar technologies

 

8.1 A cookie is a text file that downloads small bits of information to your device.  Our website doesn’t uses cookies, however our Site may contain links to other websites who do, including via our social media buttons.

 

8.2 Our website may contain links to other websites of interests. While we try to link only to website that share our respect for privacy, we are not responsible for the content, security, or privacy practices employed by other websites, and a link does not constitute an endorsement of that website. Once you link to another website from our Site, you are subject to the terms and conditions of that website, including, but not limited to, its Internet privacy policy and practices. Please check these policies before you submit any data to these websites.

 

 

  1. How long we retain your Personal Data for

 

9.1 DATEAGLE ART only retains Personal Data identifying you for as long as you have a relationship with us, as is necessary to perform our obligations to you (or to enforce or defend contract claims), or as is required by applicable law. This will involve us periodically reviewing our files to check that information is accurate, up-to-date and still required.

 

9.2 Personal Data we no longer need is securely disposed of and/or anonymised so you can no longer be identified from it.

 

 

  1. Security that we use to protect Personal Data

 

10.1 We endeavour to take all reasonable steps to protect Personal Data from external threats such as malicious software or hacking. However, please be aware that there are always inherent risks in sending information by public networks or using public computers and we cannot 100% guarantee the security of all data sent to us (including Personal Data).

 

 

  1. Your personal data rights

 

11.1 In accordance with your legal rights under applicable law, you have a ‘subject access request’ right under which you can request information about the Personal Data that we hold about you, what we use that Personal Data for and who it may be disclosed to as well as certain other information. Usually, we will have a month to respond to such a subject access request.

 

11.2 Under Data Protection Law you also have the following rights, which are exercisable by making a request to us in writing:

 

(a) To request access to or a copy of any Personal Data which we hold about you;

(b) That we rectify Personal Data that we hold about you which is inaccurate or incomplete;

(c) That we erase your Personal Data without undue delay if we no longer need to hold or process it;

(d) To object to any automated processing that we carry out in relation to your Personal Data;

(e) To object to our use of your Personal Data for direct marketing;

(f) To object and/or to restrict the use of your Personal Data for purpose other than those set out above unless we have a legitimate reason for continuing to use it;

(g) That we transfer Personal Data to another party where the Personal Data has been collected with your consent or is being used to perform contact with you and is being carried out by automated means.

 

11.3 Any request from you for access to or a copy of your Personal Data must be in writing, and we will endeavour to respond within a reasonable period and in any event within one month in compliance with data protection legislation. We will comply with our legal obligations as regards your rights as a data subject. If you would like to exercise any of the rights set out above, please contact us at the address below.

 

 

  1. Complaints

 

We operate in accordance with current UK and EU data protection legislation. If you have any concerns about our use of your information, you also have the right (as a UK resident) to make a complaint to the Information Commissioner’s Office (ICO), which regulates and supervises the use of personal data in the UK, via their helpline on 0303 123 1113 – see https://ico.org.uk/.

 

 

  1. Changes to this Privacy Policy

 

13.1 Our Privacy Policy may be subject to change at any time. Any changes we make to our policy in the future will be posted on this page and, where appropriate, notified to you by e-mail. Please check back frequently to see any updates or changes to our policy.

 

 

  1. Contact

 

If you have any requests regarding this Privacy Policy or wish to make a further request relating to how we use your Personal Data as described above, please contact our Data Protection Manager by e-mail at studio@dateagle.art.

We picked five artists from 75 Works on PaperBEERS, London and asked them five questions about their work on view.

 

“75 Works on Paper” at BEERS, London combines the works of over 50 artists working internationally, including both emerging and mid-career artists who were each asked to contribute as few as one A4 work on paper.

 

What one sees viewing the art is the diverse themes and imagery of the pieces, which include figurative, abstract, or text-based work, but also includes collage, preliminary sketches, and even sculptural or conceptual art.

 

Jonni Cheatwood

Could you explain this work?

I picked up this love for old grain and flour sacks with advertising from smaller American towns. I had the idea to sew these sacks in with my large canvas paintings in order to attempt to give worth to a bag or sack that once held something of worth, like flour, rice or whatever it may be. I fell in love with this particular bag, bought it on eBay, but didn’t realise that it was a paper bag. I didn’t really know what to do with  it, so it just sat around my studio to pick up some debris, then luckily I was invited to do a “works on paper” show and got to put the bag to use, finally.

What does this piece deal with? 

For me this piece deals with age and a story beyond me. I don’t know when this bag was made, I don’t know what Princeton, North Carolina is like either. So, I see it as two or more stories coming together. I love found objects, repurposing objects and I love the ageing process all the same.

What medium and techniques did you use?

Oil, stick and acrylic for the main colours, and then enamel for the mark making.

What were the struggles of making it?

This is the smallest work that I’ve ever made. I use a lot of large gestural movements in my work, so I had to restrict those movements onto a very small piece of paper. Sounds odd, but having to condense is very hard for me, so I tried to not overthink it.

What is the purpose behind this work?

I wanted to use but hide some of the advertising on the bag and give it some more appeal. Honestly, I just wanted to make something badass for my first gig in the UK.

Thom Trojanowski Hobson

Could you explain this work?

This pencil drawing is a snap shot of an intimate exchange between two un-worldly beings. What we, as earthlings, can identify with is the freeze frame of when the clock stops ticking for that half second, and an electric pulse jumps from the tip of one sentient being to another. The tender moment. It’s easy to forget, as a human, that contact – that shimmering, glossy, silent spark is universal.

What does this piece deal with? 

I often think about the accelerated loss of our natural habitat, and revisit crazy ideas from 70’s sci-fi of living on the moon once this planet is burnt out. I sometimes think about the fable of “the dark side of the moon” and play with fantasies of how maybe it could harbour secret plant types and seas like George Melies’ flick. My Uncle is a physicist who works at the Hadron Collider splitting atoms, and looks for Higgs Boson, and my Dad is an ecologist – so one looking away from us, and into the stars for answers, and one looking beneath the soil. Whilst I’m very interested in both these equally important subjects, I’m more like my mother. A social creature, looking into peoples eyes for that tender connection.

What medium and techniques did you use?

A couple of pencils, a rubber, and a bit of paper.

What were the struggles of making it?

The struggle is always working small for me – for composition, and also for the translation and application of mark making.

What is the purpose behind this work?

This was a preliminary sketch for an intended larger painting. But I felt I had captured something real in the drawing, and I’m actually very happy with it.

Danielle Orchard

Could you explain this work?

This piece is an oil on paper study for an invented portrait of a nonplussed woman. Most of the characters I paint are composited from various art historical and autobiographical sources, and they are ultimately stand-ins for myself. I think of this compositing technique as a way of investigating my personal identity through the women who have been so commonly portrayed, but so vehemently denied real agency throughout Western art history. Smaller studies allow me to work through colour ideas quickly before going into larger, more involved works on canvas.

What does this piece deal with? 

I touched on content in my last answer, but to elaborate, I believe that looking for my body reflected in the bodies of women seen throughout the Western canon is an amazing tool for empathy. I’ve recently begun including domestic objects like plants, beer bottles, and cigarettes to situate these women in mildly fraught social situations. I think about Victorian parlor rooms and home kitchens, close domestic quarters where interactions between women have traditionally been steered or sequestered.

What medium and techniques did you use?

I start these drawings with graphite on gessoed paper, and then work with very thin, poured oil paint and oil stick. They’re rarely planned, and they offer an opportunity to work quickly through intuitive colour ideas. They also help me to articulate previously vague ideas around colour and light.

What were the struggles of making it?

These preparatory works are by nature very fluid, and very low pressure. That lack of expectation is what makes them read as fresh and unencumbered.

What is the purpose behind this work?

To make a lasting and beautiful record of fleeting, improvised ideas.

Taylor Anton White

Could you explain this work?

I’m never interested in explaining an artwork, or providing guidance for how someone should view it, or the establishment of some form of justification for it’s existence. I’m always most interested in artwork that asks me more questions than it provides answers for.

What does this piece deal with? 

Everything

What medium and techniques did you use?

This work is comprised of acrylic, oil, charcoal, fabric, and stitching on paper. Elements of this painting were made separately, then torn or cut apart, sewn back together, and then painted again.

What were the struggles of making it?

To be honest, I don’t really feel struggle with my work. I’m often inclined to intentionally cause a serious problem in my work that has to somehow be resolved or sometimes left unresolved. The act of “fixing” a calamity is something that forces me to make decisions in a work that I cannot predict before beginning. I don’t work from sketches or preconceived ideas in paintings, and I generally view finished paintings of any size as sketches. I try to treat them as dismissively as I would a small piece of inexpensive paper.

What is the purpose behind this work?

All of my work comes from a very simple desire to entertain, surprise, or to confuse myself.

Daniel Jensen

Could you explain this work?

This work is part of an ongoing series of paintings and drawings where I’m working quickly and intuitively to give an element of action and movement. I’m moving back and forth between abstraction and figuration in order to create works where the different elements are not related in any narrative sense.

What does this piece deal with? 

I’m interested in how you piece together the different components of a fragmented story to make sense of it. Like when you hear a person on the subway talk on the phone in a language you don’t know. Suddenly you might hear single words you do understand, a glimpse of figuration in the abstraction, and you immediately start to imagine what the conversation is about.

What medium and techniques did you use?

It’s oil, pastel and acrylic ink on paper.

What were the struggles of making it?

No struggles, except maybe in the process of selecting and discarding work.

What is the purpose behind this work?

This piece was made while I was planning a new series of paintings. My paintings are deeply rooted in drawing and they are executed in a very similar way as my drawings. Since I often work quickly and intuitively, I usually don’t work with sketches for paintings but I make drawings to figure things out.

20.11.17

Words by Martin Mayorga

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